On the Hellebore project, there is no explanation of arriving at the soft peach on the example. The projects rarely talk much about approaching color mixing to achieve the end result, either. Depending on the paints the user has, there can be a dizzying array of each primary and secondary color. She doesn’t explain, for example, whether she’s using warm and/or cool reds in a project and just instructs the reader to throw in some reds. If you read through the three-four step project, the author only mentions about 2 of the 4-6 colors being used. Rainey neglected to include a list of the colors used in each tutorial. What drew me in to begin with was the large, beautiful flowers. When I got to the “step-by-step” sections that group, I was extremely disappointed. The book seemed aimed at beginners to slightly more advanced watercolorists, so I thought I was in for a treat.
Like many watercolor books, this book included intros to color theory, suggested materials, basic techniques, etc. The first week I had the book, I read most of the introduction, which was well laid out and good for beginners and more advanced painters. I checked this book out from the library based on how pretty the flowers were. After about a year of learning, I’m an advanced beginner at watercolor thanks to Let’s Make Art.Īs a supplement, I thought it would be nice to find books that contain simple exercises to use as warmups to more involved projects or subjects for watercolor cards I’ve been sending to friends and family.
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